Showing posts with label iPod. Show all posts
Showing posts with label iPod. Show all posts

Tuesday, November 20, 2012

A Drumming Thankful List

This Thanksgiving I wanted to make a list of things drumming related that I am thankful for. Some items on the list may appeal to every drummer, others to just a few of you, and the remaining are special to me. Enjoy and Happy Turkey Day to all.


  1. Buddy Rich - I am thankful for Buddy because he continues to inspire me to this day.
  2. Modern Drummer Magazine - Thanks to all involved for giving the drumming community our monthly Bible.
  3. Ludwig - For giving us the first bass drum pedal in 1909, paving the way for future generations of drum set players across the globe.
  4. Steve Gadd - Thanks for giving us the white whale of drumming with the groove to "50 Ways to Leave Your Lover."
  5. Kenwood Dennard - Thanks for never giving me a perfect grade during my private lessons, thus teaching this young drummer there is always room for improvement in everything he does.
  6. Steve Jobs and the iPod - Thanks for giving me a convenient spot for all my albums so I can jam anywhere my kit takes me.
  7. Amazon Kindle - Thanks for giving us drumming instructional books in digital format. Finally I can have all the lessons of the masters with me wherever I travel.
  8. Electronic Drums - My neighbors thank you, and I thank you for giving me a way to practice without getting evicted from my apartment. 
  9. Duct Tape - Thanks for giving me a way to fix my kit on the fly, help kill overtones, and for the million other uses you supply while on the road.
  10. All the musicians I have and will play with - Each of you has and will continue to help me evolve into a better player and happier human being.


That's my list. What are you guys thankful for?



Sunday, September 30, 2012

Your Music is a Loss Leader


In business there is a term used to describe products that are designed to get you in the door and buy bigger ticket items. It is called loss leader pricing. When you break that phrase down the first word “loss” is because the business is probably loosing money selling those items. The word “leader” means it leads you to buy other products. We see this all of the time, but probably don’t even realize it.

For instance you can buy a brand new razor with two cartridges for around $10, but if you want to buy additional razors themselves you will have to fork over $25 for an eight pack. 

Have you ever purchased a new printer? What a steal you can get a whole unit with ink for under $50. It isn’t until you need a refill that you realize the cartridges alone will cost you over $50. 

Loss leaders are everywhere. Go into a supermarket and buy an 18 pack of water for $3, two bags of chips for $4, or a 12 pack of coke for $3.99. These are all tactics to get you to buy other, more expensive, things.

Well that is what music has officially become… a loss leader.

According to Apple’s 10-K filings for 2011 iTunes made $5.4 billion. Amazing right? Now think about this. Forbes reported that Apple sold five million phones within three days of their iPhone 5 launch on September 21st, 2012. Now even though the vast majority of these phones were at reduced rates through cellphone carriers, companies such as AT&T, Verizon, and Sprint still needed to pay Apple a subsidy to get the new highly in-demand product. According to CNN money that subsidy averages about $450 per phone. That equates to $2.25 billion dollars for Apple. A little under half of what their iTunes division made last year. So in three days Apple's iPhone made half of what their entire iTunes store made in a year. 

Last week Samsung, Apple’s biggest rival, announced they will start buying up smaller music streaming and distribution companies to strengthen their own music network called Hub. The technology bohemian isn't doing this to sell more music. They are doing it to "lead" consumers into buying one of their Galaxy smartphones or tablets. Samsung is finally catching on to something Apple, Amazon and Google have known for years. You sell more technology devices if you can easily fill them with low cost music. 



Using music to get consumers through the door to lure them to buy bigger ticket items isn’t necessarily new. For years Wal*Mart had isles of CD’s. That’s right I said “isles” of CD’s. They did this because you had to go somewhere to buy new music. This was before you could beam it to your phone while you borrowed your neighbors Wi-Fi connection. When you went to Wally World to buy that new Pearl Jam CD. I know I’m old. You were forced to look at those beautiful big screen TV’s, stereos, DVD players, and other high priced electronic items, and chances are, at least once,  you walked away with one of them. In the end your $16 CD purchase cost you about $500. That is a loss leader.

But today music has completely become a loss leader. If you don’t believe me look around. If you are a Starbucks card holder you will get the occasional free download of a new music track, or you can buy those albums in their stores for $10 while you drop another $8 on a cup of coffee, plus another cup for your friend, and, oh wait, one of those awesome muffins.
  
Artists don’t make money by selling music anymore. That is an antiquated business model and if a manager or record labels is telling you otherwise start running back to your day job because you will make more money and work less there. Just take a look at the sales numbers according to www.gloriousnoise.com.  Total album sales were at $616.6 million in 1996 and have dropped to $330.57 million last year, and yes that includes digital sales for 2011.

But for some reason artist’s still think that they make money by selling albums. The truth is in today’s market they don’t. The smart ones understand how to use their music as a loss leader just like Apple, Samsung, Coca Cola, and Starbucks. Trent Reznor gives his music away and uses those free tracks to encourage fans to buy his concert tickets, merchandise, autographed memorabilia and anything else he can make money on. He understands that the market has changed their valuation of music. To them music no longer has a monetary value. Napster has taught them otherwise. Incubus’ manager Steve Rennie said it best “for some reason college kids can afford their beer and weed money, but will not pay for their favorite song.” 

On a good note music has not lost its intrinsic value and that is why ad agencies, film companies, and big businesses still fork over money to attach their brand to a particular tune. To make money in today’s market artist must stop thinking that people will pay for their music. Instead they must start using their music to get those consumers to buy into their brand. Hell it worked pretty good for Apple.  


Sunday, October 9, 2011

Thank You Steve Jobs!


This week the world mourned the loss of the modern age’s Thomas Edison.  For the past thirty years computer genius and entrepreneur Steve Jobs helped propel the concept of personal computing to new heights by merging the ideas of technology and entertainment and then promoting that concept on a plethora of devices such as the Macintosh Computer, iPod, iPhone, and iPad.  There is no question as to Job’s contribution to the advancement of our society, but many musicians forget about how all his little devices have helped elevate our playing to new levels.

iPod:


I purchased my first iPod when the device was released to the public over a decade ago.  From the very beginning I realized how this little music player could help my practice routine.  Before I acquired the iPod I had to rely on a multiple disc player that was cumbersome and limited my available practice locations.  Each day I had to load five CD’s into the carousel and if I wanted to work with a different disc I had to spend hours searching my physical library for the right album to jam with.  This greatly reduced the efficiency of my practice routine.  Then came the iPod.  After the initial time spent ripping all of my music to the player I was able to practice virtually anywhere and had the ability to find that certain disc to work with in seconds.  I could create playlists, store them, and then jam with them without taking the time to find the next CD or even waiting for that cumbersome disc player’s carousel to switch discs.  My practice time became more efficient and I became a better and more rounded player because of it.

The MAC:


There are many arguments as to which computer is better, the PC or the MAC, and all I can tell you is my experience with the power of the MAC.  My first original band “Masceo” multi-tracked an entire album onto my MacBook Pro laptop, and I think the system crashed maybe twice during the whole experience. Today the concept of the home studio has elevated to the point that musicians can easily express their ideas from a single room in their house with a quality that rivals many professional studios.  For many their MAC is central point to this experience and another testament to Job’s quality ingenuity. 

iTunes:



Before the iPod and iTunes I needed to buy a whole disc for $16 to get the tracks I needed to practice with for my next gig.  Now with iTunes I can acquire single tracks for 99¢, drop them in a playlist and practice until I get those licks right.  And as Apple’s database of music grows I can find even the most obscure tracks and experience new drummers with the click of a mouse (which Job’s helped bring to the world by the way).

GarageBand:


It’s simple to use and provides a great tool for musicians.  I often record my live performances and rehearsals and then dump them into GarageBand to cut em’ up and listen to my day’s work.  I’ve even made a few live albums through this method, and I am not the only one.  On a plane trip to Nashville I was sitting next to a producer and new artist who were listening to her demo tracks in GarageBand and making notes for the future recording session that most probably would be recorded into a MAC.

iPad:

I didn’t think I needed one of these.  Boy was I wrong.  On this last cruise contract I wasn’t able to bring my practice manuals with me, but I needed something to work with.  With the iPad I was able to download a number of practice books including drumming bibles “Stick Control”, “Ted Reeds Syncopation”, and Joe Morello’s “Master Studies” quickly from Amazon.  And for those on-the-fly jazz gigs my iPad has all the Real Books in PDF format for quick reference.  The thing even has a metronome and drumming bible app and houses reading material, and the game Angry Birds, for the breaks between sets.

The truth is Job’s technology has touched virtually every member of the world.  As a former printing company owner and past photojournalist I have seen the MAC evolve from a small toaster oven computer into the central point for the print and news industries.  When I made music my life I quickly learned that the MAC was central point in the studio and on the road thanks to it’s reliability and rock solid design.  This week the world lost a genius and us musicians lost a man who inadvertently made us all better at what we do.  R.I.P.  Mr. Job’s.